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In praise of tribal crafts

Anita Kandhavel
12 February, 2018Updated:about 8 years ago
Originally woven without lids or patterns to serve as betel trays, these ‘ranog bertudu’ pandanus boxes have been customised by the Temiar craftspeople to cater to the urban palate. (Photos by Gerai OA & Low Yen Yeing)

Craftwork is an applied form of local artistry that plays an important role in shaping and identifying a country’s cultural identity as well as documenting part of its history and heritage. As a multi-racial country, Malaysia boasts a cultural landscape that is rich and diverse. However, urbanisation, the advent of technology and declining demand have all adversely influenced the viability and survival of our traditional crafts, many of which are in desperate need of revival and preservation.

One group that has been severely impacted are artisans from the indigenous or Orang Asal communities. Confronted with a shortage of land, depletion of natural resources, decreasing consumer interest in traditional craftwork and, above all, a lack of succession for the ageing population of craftspeople, the Orang Asal artisans are beset by many challenges.

‘Hibung’ – the Orang Asal’s version of a backpack!

Mercifully, their predicament has not gone unnoticed and a few caring enterprises have stepped in to extend a helping hand. With this assistance, the indigenous craftspeople are resuscitating age-old crafts to serve urban markets by contemporising craft forms without sacrificing their heritage.

It’s certainly a step in the right direction towards ensuring the survival of many disappearing skills and also providing the artisans with a way of earning critical supplementary income. While it may have been de rigueur for a narrow band of collectors to own Orang Asal merchandise, perhaps it is now time for the consciousness of the larger rakyat to be awakened and for the remarkable native skills and handicrafts of our country to be handed a much-needed lifeline.

 

Gerai OA

Fabricated from rattan and wood, the ‘hibung berkaki’ baskets made by Jah Het craftsmen can serve as multi-purpose storage vessels.

Founded by Reita Rahim in October 2004, Gerai OA is a volunteer-run, pop-up stall that sells crafts, books and other materials made by or relating to the Orang Asal of Malaysia. Gerai OA also plays an active role in documenting and reviving local craftwork. By and large, Gerai OA collaborates with artisans to enhance heritage crafts by building upon the community’s existing skills. With craft-making, the Orang Asal are actively participating in forest conservation as their skills generate non-timber forest products. Every sen of the money collected from sales is returned to the artisans, thanks to a committed group of volunteers who absorb all operational costs and contribute their services for free.

These rotund ‘bubu pacik’ (fish traps) crafted by Mac Panis from the Temiar tribe can be used as decor pieces such as a unique light fixture or a statement objet d’art.

Pouches woven by Temuan women using pandanus strips dyed in jewel tones.

The ‘kurong serindit’ or spherical birdcage by septuagenarian Nenek Saimoi from the Jakun tribe can double as a receptacle for hanging plants.

Originally woven to create reinforcement rings for blowpipes and axes, Udin Aleg – a Temiar – has employed the same coilwork technique to fashion bangles.

Gerai OA:
Contact: Reita Rahim at (019) 751 8686
www.facebook.com/geraioa

 

KitaKita

These ‘anyaman’ or hand-woven baskets are by the Iban tribe from Sarawak.

A treasure trove of local arts and crafts, KitaKita was founded in December 2010. As advocates for the promotion, preservation and development of homegrown arts and crafts, KitaKita’s founders are keen to provide a platform for established and emerging craft workers, designers and producers to introduce their products to a wider audience. Ten per cent of all profits are re-invested towards assisting local artisans and producers.

Considered one of the most skilful craft-makers of the many indigenous people of Sarawak, the Kayan community from Baram are famed for their beadwork and jewellery, as exemplified by this stunning piece that marries traditional techniques with contemporary design.

While conventionally woven using cotton yarn and other natural fibres on traditional back strap looms by the Iban community from Sarawak, these silk Pua Kumbu drapes are woven by master weavers from the Rumah Garie longhouse and make an exquisite addition to one’s wardrobe.

Striking and opulent, it’s no wonder that the songket is the prized fabric of the Malay archipelago. Fabricated using an intricate technique of weaving metallic threads though silk and cotton, the traditional hand-woven brocade lends its glamour to chic clutches.

KitaKita:
G 1.10, 1 Jalan Medan Setia, Bukit Damansara, Kuala Lumpur
Opening hours: 11am to 7pm, closed on Sundays
Contact: (03) 2096 1323
www.kitakita.my
Instagram: @kitakitamy

This story first appeared in EdgeProp.my live! magazine. Download a FREE copy of live! magazine here.

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